Anand Jagota plays the Saraswati Veena

   

Anand learned to play the veena in 1992 in Madras. His teacher was Dr. K. S. Subramanian, who Anand met at a workshop for the faculty of Musicology in the University of Hamburg, where Anand received his M.A.

Anand has found his own creative musical forms for the veena, influenced by the tranquility and devotional spiritual qualities of Indian music.

Anand is able to perform as a solo instrumentalist, as a duo player with percussion accompaniment or with an ensemble.

He has recorded his music and has performed live with different line ups in Phuket and in Hamburg as well.

 

           

 

The instrument:

 

The full name of the instrument is "the Saraswati veena". Saraswati is the Hindu Goddess of music, who is usually depicted holding or playing the instrument. This instrument as regarded in south India as "perfect instrument" because you can play melody, drone and rhythm, the three fundamentals of Indian music, simultaneously. The veena is the leading instrument for South Indian classical music, the majority of which is vocal music.

 

The Saraswati veena is the primary string instrument of Carnatic music and is the last survivor of many types of veenas created in South India. Its form has been fixed at the end of XIXth century and it has progressively replaced all the other veenas.

 

The neck, main resonator and the resonance table of the instrument are made of the jackfruit tree, a hard wood. The neck is hollow, and on it 24 straight frets are stuck with glue made of bee's wax. The bridge is flat and is made of copper, which gives it a recognizable metallic color.  The strings are stopped by the forefinger and second finger of the left hand, and glissandos are made through the pulling technique (as on a sitar).

 

The saraswati veena has an interesting construction. The highest quality veenas have the entire body carved from a single block of wood. There is another resonator at the top of the neck. This is no longer a functioning resonator, but is mainly used as a stand to facilitate the positioning of the instrument when it is played. Because it is no longer functioning it is not unusual to find that this upper resonator may be made of acoustically neutral materials such as paper mache, cane or other similar materials.  Unlike north Indian instruments like the sitar, the saraswati veena has no sympathetic strings.  It has only four playing strings and three drone strings (thalam). The main bridge is a flat bar made of brass and has a very slight curve.  It is this light curve, which gives the veena its characteristic sound.  A major centre for the manufacture of the saraswati veena is in Tanjore.

 


(Anand Jagota & the Belly Dancers Group)

 

Anand's Classical Guitar Repertoire   -   Anand Jagota & Ensemble (CD): "Sailing on Sound"

 

Anand's Veena Samples (mp3):   Veena Solo  -  The Belly Dancer

 

Anand's Electric Veena Samples (mp3):   Dance the Moon  -  Oriental Rocks  -  Take Seven

 

Anand's Classical Guitar Samples (m4a):   Fur Elise  -  Welsher Tanz  -  Lady Gethin

 

To book Anand:

 

(Solo or playing in combination with other instrumentalists), please contact Anand Jagota:

anand@phuket-town.com, Mobile phone : 089-8728468

Click to order or listen to the CD: http://cdbaby.com/cd/anandjagota